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Chicago is Jazz. First there is nothing but an idea. Then there a note. Then color, motion, and narrative. Kander Ebb prohibition era musical, inspired and originally staged by Bob Fosse is a powerful example of how little you need in the way of spectacle when you got a great story, fantastic songs, and outstanding performers. Hell, you don even need that great a story.
Chicago trades in crime and corruption using vaudeville as a metaphor and classic comedy/song and dance routines as a storytelling template. The show architecture is playfully dark. Its ripped from the headlines story is barely but beautifully told: Two ginned up jazz babies with stardust in their eyes have killed "Oxandrolone Powder India" their lovers and Primobolan En Zweten it gonna take one helluva lawyer to get them back in the spotlight.
I hold two very distinct sets of feelings about Theatre Memphis production Chicago, a razzling, dazzling good time show that I suspect most audiences will enjoy quite a bit. But when I consider this creative team a strong one I can help but think that the show might have been more complete and more interesting.
Regional heavy hitters like Cecelia WIngate and Randall Hartzog are perfectly cast as Mama, a women prison marm on the take, and Amos the cuckolded baggy pants clown who can catch a break. It great to see an underutilized talent like Lindsey Roberts chewing Buy Cheap Jintropin Online up a juicy part like the hard as nails Velma Kelly. And while I can "Oxandrolone Powder India" tick off a long list of locals who might make a better Roxie Hart than former Idol contestant Alexis Grace, nobody can accuse Theatre Memphis of stunt casting. Grace has two things you can teach: Presence and sass. Her acting chops could be more fully developed but she got pipes, knows how to sell a song, and is a fresh, welcome face on the local theater scene. Hopefully Primobolan Opis she'll stick around.
Roberts, who (unfortunately in my opinion) is best known to Memphis theater audiences for her high flying performances as Peter Pan, is especially fine. This performance is more in keeping with her celluloid star turn as Harper, the waifish petty thief in Craig Brewer The Poor Hungry. Only now she gets to be a full grown woman, and to play a little over the hill. Roberts physical revulsion to Roxie rise projects a thick cloud of envy and danger giving the show almost all of its emotional heft.
Rob Hanford does solid work as Chicago super lawyer Billy Flynn. Hanford one of Memphis most gifted musical theatre performers but the rubber faced actor can be a little busy and over the top for my taste. This may be his most restrained and disciplined performance. It a good thing.
TM Chicago is derivative. There's just no getting around that. If you seen the film the choreography will be vaguely familiar. Fosse is ever present and in large 4-chlorodehydromethyltestosteron quotation marks.
Director Amy Hanford knows how to put on a show and she taken Chicago thesis Razzle dazzle Sustanon 250 3rd Week the crowd and you can get away with murder "Buy Cheap Jintropin Online" to heart. Audiences looking for a bawdy good time will probably be more impressed than the critic. But skin doesn equal sex, and a hodgepodge of design elements never quite coalesce to express a unified style of their own.
If it sounds like I complaining because a good thing wasn much better, I am. Chicago a show that gives artists a lot of room to play and I hoped for something more playful. That doesn mean I wasn thoroughly satisfied three songs in by Wingate powerhouse run through You Good to Mama. That doesn't mean Hartzog didn't break my heart when he called for his exit music and was greeted by nothing but sad clown silence. And, in spite of an excessive, nearly kitschy use of stage smoke and enough flashing lights to send an elephant into epileptic seizures, that doesn't mean there weren't moments when I was completely swept up in the high life, the low life, and all that jazz.